{"id":2601,"date":"2026-02-02T10:13:38","date_gmt":"2026-02-02T10:13:38","guid":{"rendered":"https:\/\/medeniyyetdunyasi.az\/?p=2601"},"modified":"2026-09-11T08:00:52","modified_gmt":"2026-09-11T08:00:52","slug":"uzeyir-hacib%c9%99yli-irsi-teatr-v%c9%99-kino-kontekstind%c9%99-2","status":"publish","type":"post","link":"https:\/\/medeniyyetdunyasi.az\/en\/konfranslar\/uzeyir-hacib%c9%99yli-irsi-teatr-v%c9%99-kino-kontekstind%c9%99-2\/","title":{"rendered":"THE HERITAGE OF UZEYIR HAJIBEYLI IN THE CONTEXT OF THEATRE AND CINEMA By authors"},"content":{"rendered":"

Maryam Ali-zadeh<\/p>\n

THE PHENOMENON OF UZEYIR HAJIBEYLI IN AZERBAIJANI THEATRE<\/em><\/p>\n

https:\/\/doi.org\/10.52094\/YHEC6915<\/a><\/p>\n

 <\/p>\n

Ali Amirli<\/p>\n

SCREEN ADAPTATIONS OF UZEYIR HAJIBEYLI\u2019S WORKS<\/em><\/p>\n

https:\/\/doi.org\/10.52094\/LWBL4078<\/a><\/p>\n

 <\/p>\n

Aydin Talibzade<\/p>\n

UZEYIR HAJIBEYLI WITHIN THE SYSTEM OF INTERRELATIONS <\/em>BETWEEN OFFICIAL AND INFORMAL CULTURE<\/em><\/p>\n

https:\/\/doi.org\/10.52094\/NWZK6922<\/a><\/p>\n

 <\/p>\n

Ilham Rahimli<\/p>\n

THE PEAK OF GENIUS <\/em>or The Sad Turns Of The Road Leading To This Pinnacle<\/em><\/p>\n

https:\/\/doi.org\/10.52094\/TRYD2035<\/a><\/p>\n

 <\/p>\n

Nadir Badalov<\/p>\n

THE INTERACTION OF MUSIC AND VISUAL RHYTHM IN <\/em>CINEMA (INSPIRED BY THE FILM \u201cO OLMASIN, BU OLSUN\u201d<\/em>
\n(\u201cIF NOT THAT ONE, THEN THIS ONE\u201d)<\/em><\/p>\n

https:\/\/doi.org\/10.52094\/VMCX6503<\/a><\/p>\n

 <\/p>\n

Vidadi Gafarov<\/p>\n

UZEYIR HAJIBEYLI \u2013 A TRIBUTE TO THE NATIONAL <\/em>IDENTITY OF AZERBAIJANI CULTURE<\/em><\/p>\n

https:\/\/doi.org\/10.52094\/VVSX7842<\/a><\/p>\n

 <\/p>\n

Aliya Dadashova<\/p>\n

UZEYIR HAJIBEYLI. GAME OF MASKS AND THE <\/em>ASPIRATION OF A LIBERAL SOCIETY<\/em><\/p>\n

https:\/\/doi.org\/10.52094\/JFGS2327<\/a><\/p>\n

 <\/p>\n

Ilgar Fahmi<\/p>\n

THE DRAMATIC STRUCTURE OF UZEYIR HAJIBEYLI’S <\/em>OPINION JOURNALISM<\/em><\/p>\n

https:\/\/doi.org\/10.52094\/TFXO3664<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Maryam Ali-zadeh THE PHENOMENON OF UZEYIR HAJIBEYLI IN AZERBAIJANI THEATRE https:\/\/doi.org\/10.52094\/YHEC6915   Ali Amirli SCREEN ADAPTATIONS OF UZEYIR HAJIBEYLI\u2019S WORKS https:\/\/doi.org\/10.52094\/LWBL4078   Aydin Talibzade UZEYIR HAJIBEYLI WITHIN THE SYSTEM OF INTERRELATIONS BETWEEN OFFICIAL AND INFORMAL CULTURE https:\/\/doi.org\/10.52094\/NWZK6922   Ilham Rahimli THE PEAK OF GENIUS or The Sad Turns Of The Road Leading To This Pinnacle<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[60,61,64,26],"tags":[],"class_list":["post-2601","post","type-post","status-publish","format-standard","hentry","category-60","category-arxiv","category-esas-shif","category-konfranslar"],"_links":{"self":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts\/2601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/comments?post=2601"}],"version-history":[{"count":7,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts\/2601\/revisions"}],"predecessor-version":[{"id":3281,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts\/2601\/revisions\/3281"}],"wp:attachment":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/media?parent=2601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/categories?post=2601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/tags?post=2601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}