{"id":2456,"date":"2025-07-04T12:46:09","date_gmt":"2025-07-04T12:46:09","guid":{"rendered":"https:\/\/medeniyyetdunyasi.az\/?p=2456"},"modified":"2026-07-24T07:15:02","modified_gmt":"2026-07-24T07:15:02","slug":"m%c9%99d%c9%99niyy%c9%99t-dunyasi-%e2%84%9647-mu%c9%99llifl%c9%99r-uzr%c9%99","status":"publish","type":"post","link":"https:\/\/medeniyyetdunyasi.az\/en\/meqaleler\/m%c9%99d%c9%99niyy%c9%99t-dunyasi-%e2%84%9647-mu%c9%99llifl%c9%99r-uzr%c9%99\/","title":{"rendered":"THE WORLD OF CULTURE \u2116 47 by authors"},"content":{"rendered":"

Mahammad Bayramov<\/strong>
\nTypological Characteristics Of Medieval Sanctuaries Of<\/strong>
\nNakhchivan (XI-XIX Centuries)<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.04<\/a><\/strong><\/p>\n

 <\/p>\n

Abbasova Nigar Ilgar<\/strong>
\nOn The Relevance Of Studying The National Costume Of Karabakh<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.016<\/a><\/strong><\/p>\n

Gunel Iqbal qizi Aliyeva<\/strong><\/p>\n

MUSEUMS OF AZERBAIJAN. NIZAMI GANJAVI NATIONAL<\/strong>
\nMUSEUM OF AZERBAIJANI LITERATURE<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.027<\/a><\/strong><\/p>\n

 <\/p>\n

Tanriverdi Pasha<\/strong>
\nAssessment of the Economic Impact of Protection and Restoration<\/strong>
\nof Cultural Heritage<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.033<\/a><\/strong><\/p>\n

 <\/p>\n

Nigar Ibrahimli<\/strong>
\nAzerbaijani Culture and the Global Ecological Dialogue: Activities of the National Azerbaijani Literature Museum Named After Nizami Gandjavi at COP-29 and Ecological Motives in the Heritage of Nizami Gandjavi<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.055<\/a><\/strong><\/p>\n

 <\/p>\n

Aygun Hasanli Zayrali<\/strong>
\nInclusive Museum: Accessible Art for People<\/strong>
\nwith Physical Disabilities<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.069<\/a><\/strong><\/p>\n

 <\/p>\n

Zeynalova Leyla Mikayil<\/strong>
\nHousehold Rituals and Their Culturological System<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.079<\/a><\/strong><\/p>\n

 <\/p>\n

Sonaxanum Mamedaga gizi Mikayilova<\/strong>
\nTheater Is Like An Enterta\u0131nment without Time<\/strong>
\nAnd Space Limitations<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.089<\/a><\/strong><\/p>\n

 <\/p>\n

Tamar Tsagareli<\/strong><\/p>\n

EVOLUTION OF THEATRE CONCEPTION<\/strong>
\n(From the ancient epoch including Italian renaissance)<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.095<\/a><\/strong><\/p>\n

 <\/p>\n

Kamala Veyis gizi Alasgarli<\/strong>
\nElements of Instrumental Theatre In Faraj Garayev`s Work<\/strong>
\n\u201cDer Stand der Dinge\u201d<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0112<\/a><\/strong><\/p>\n

 <\/p>\n

Rzayeva Ulker Rasim qizi<\/strong>
\nAbout the Problem of Music Research in Cinema<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0122<\/a><\/strong><\/p>\n

 <\/p>\n

Abdullayeva Yagut Babakishi gizi<\/strong>
\nImportant Features of Academic Vocal Art<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0135<\/a><\/strong><\/p>\n

 <\/p>\n

Bayimkhanim Valiyeva<\/strong>
\nThe Role of Poetical Text in Mugham Perform<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0143<\/a><\/strong><\/p>\n

 <\/p>\n

Fakhraddin Bakhshaliyev<\/strong>
\nTraces of Mugham Art in the Mystical-Spiritual Ideology of the<\/strong>
\nNear and Middle East<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0151<\/a><\/strong><\/p>\n

 <\/p>\n

Gultakin Gasimli<\/strong>
\nThe Influence of Arif Malikov`s Traditions on Pike Akhundova\u2019s<\/strong>
\nVocal Lyrics<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0159<\/a><\/strong><\/p>\n

 <\/p>\n

Sadigov Kanan Gazanfar<\/strong>
\nResearch of Methods of Contemporary Performance on the Tar<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0173<\/a><\/strong><\/p>\n

 <\/p>\n

Samira Mammadova Mahir<\/strong>
\nThe Theme of Eschatology in Contemporary Azerbaijani Sculpture<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0188<\/a><\/strong><\/p>\n

 <\/p>\n

Karimli Narmin Mukhtar gizi<\/strong>
\nSelf-Portrait in Fine Art<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0199<\/a><\/strong><\/p>\n

 <\/p>\n

Leyla Isayeva<\/strong>
\nPostmodernist Trends in The Works Of The<\/strong>
\nHonored Artist Of Azerbaijan Farman Gulamov<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0205<\/a><\/strong><\/p>\n

 <\/p>\n

Gandjmaliyeva Kenul Nurmahammad<\/strong>
\nArtistic and Decorative Features of Religious Objects with<\/strong>
\nProtective Function<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0213<\/a><\/strong><\/p>\n

 <\/p>\n

Aslanova Gunel Zahir<\/strong>
\nThe Place and Role of the Sumakh Carpet in History of Azerbijan CarpetMaking According to its Specific Artistic and Technical Characteristics<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0222<\/a><\/strong><\/p>\n

 <\/p>\n

Haydarova Esmira Fakhraddin<\/strong>
\nNarrative Compositions and Their Artistic Features in the Work of Vajiha Samadova<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0232<\/a><\/strong><\/p>\n

 <\/p>\n

Khalilov Aslan Akbar oghlu<\/strong>
\nThe Celebration of Patriotic Spirit in Ulker Abulfat`s Art<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0244<\/a><\/strong><\/p>\n

 <\/p>\n

Alasgarova Sevinj Alakbar qizi<\/strong>
\nArtistic and Aesthetic Expression of the Oil Theme in the People`s Artist Maral Rahmanzade`s Work<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0255<\/a><\/strong><\/p>\n

 <\/p>\n

Mammadov Subhan Ali oghlu<\/strong>
\nSynthesis of Reality and Irreality in Philosophically Motivated<\/strong>
\nWorks of Agha Ali Ibrahimov<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0264<\/a><\/strong><\/p>\n

 <\/p>\n

Khalilova Ayan Novruz qizi<\/strong>
\nArtistic Characteristics of Azerbaijani Tiles with Avesta Motifs<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0274<\/a><\/strong><\/p>\n

 <\/p>\n

Aynur Sakit qizi<\/strong>
\nThe Theme of \u201cVictory\u201d in Contemporary Azerbaijani Painting<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0285<\/a><\/strong><\/p>\n

 <\/p>\n

N.S.Farajullayeva<\/strong>
\nPrinciples of Cultural Philosophy of Umberto Eco<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/2221-7584.2025.47.0294<\/a><\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Mahammad Bayramov Typological Characteristics Of Medieval Sanctuaries Of Nakhchivan (XI-XIX Centuries) https:\/\/doi.org\/10.52094\/2221-7584.2025.47.04   Abbasova Nigar Ilgar On The Relevance Of Studying The National Costume Of Karabakh https:\/\/doi.org\/10.52094\/2221-7584.2025.47.016 Gunel Iqbal qizi Aliyeva MUSEUMS OF AZERBAIJAN. NIZAMI GANJAVI NATIONAL MUSEUM OF AZERBAIJANI LITERATURE https:\/\/doi.org\/10.52094\/2221-7584.2025.47.027   Tanriverdi Pasha Assessment of the Economic Impact of Protection and Restoration of<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[60,61,64,50],"tags":[],"class_list":["post-2456","post","type-post","status-publish","format-standard","hentry","category-60","category-arxiv","category-esas-shif","category-meqaleler"],"_links":{"self":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts\/2456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/comments?post=2456"}],"version-history":[{"count":28,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts\/2456\/revisions"}],"predecessor-version":[{"id":3248,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts\/2456\/revisions\/3248"}],"wp:attachment":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/media?parent=2456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/categories?post=2456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/tags?post=2456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}