{"id":2089,"date":"2025-01-30T08:10:18","date_gmt":"2025-01-30T08:10:18","guid":{"rendered":"https:\/\/medeniyyetdunyasi.az\/?p=2089"},"modified":"2026-07-24T12:34:09","modified_gmt":"2026-07-24T12:34:09","slug":"say-46-2","status":"publish","type":"post","link":"https:\/\/medeniyyetdunyasi.az\/en\/arxiv\/2024\/say-46-2\/","title":{"rendered":"THE WORLD OF CULTURE \u2116 46 By authors"},"content":{"rendered":"

Aykhan Shahbaz oghlu Gahramanov<\/strong><\/p>\n

Consequences of Domestic Violence on Children<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.005<\/a><\/strong><\/p>\n

 <\/p>\n

Fataliyeva Rufana Rizvan
\nThe Concept of Religious Pluralism in Modern Times
\n<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.010<\/a><\/strong><\/p>\n

 <\/p>\n

Mahsati Sabir gizi Jafarova<\/strong>
\nSocial-Philosophical Directions of The Important Role Of Gender In Modern Development<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.012<\/a><\/strong><\/p>\n

 <\/p>\n

Asadova Minakhanim<\/strong>
\nCulturalogical Views of Yusif Ziya Talibzade<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.015<\/a><\/strong><\/p>\n

 <\/p>\n

Sona Mikailova<\/strong>
\nThe Role of the Teacher in the Initial Stages of the Actor Student\u2019s<\/strong>
\nWork on the Role<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.021<\/a><\/strong><\/p>\n

 <\/p>\n

Narmina Aghayeva<\/strong>
\nElchin\u2019s Theater of the Time and the Time of Elchin\u2019s Theater<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.024<\/a><\/strong><\/p>\n

 <\/p>\n

Teyyub Aslanov<\/strong>
\nA Look at the Creativity of the Master Mugham Singer Alibaba Mammadov<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.026<\/a><\/strong><\/p>\n

 <\/p>\n

Togrul Asadullayev<\/strong>
\nKamancha Performing Art: Mirza Sattar<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.064<\/a><\/strong><\/p>\n

 <\/p>\n

Leyla Babayeva<\/strong>
\nFeatures of the Song “Shusham, laylay” by the People’s Artist Vasif Adigozalov<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.028<\/a><\/strong><\/p>\n

 <\/p>\n

Narmina Enver Bayramalibeyli<\/strong>
\nAbout Three Episodes Of Drum Soloing in the Ballet<\/strong>
\n\u201cA Thousand and One Nights\u201d by Fikret Amirov<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.030<\/a><\/strong><\/p>\n

 <\/p>\n

Nigar Murad Mammadova<\/strong>
\nThe Unity of the Genre of Miniature and Dance in the Works of Azerbaijani Composers<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.032<\/a><\/strong><\/p>\n

 <\/p>\n

Narmin Mubariz Kamilova<\/strong>
\nUsing of the Game Forms Method in Music Lessons of Primary School Students<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.036<\/a><\/strong><\/p>\n

 <\/p>\n

Hulya Kudret<\/strong>
\nThe Huseyni Makam Series Used by the Garapapagh Ethnic Group<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.041<\/a><\/strong><\/p>\n

 <\/p>\n

Natavan Hasanova<\/strong>
\nThe Journey to the Mamedagha Kerimov\u2019s World of Art<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.043<\/a><\/strong><\/p>\n

 <\/p>\n

Maryam Mansim Kazimova<\/strong>
\nArtistic Characteristics of Wooden Works in Azerbaijani Sculpture<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.045<\/a><\/strong><\/p>\n

 <\/p>\n

Nurana Namiq Rzazada<\/strong>
\nComparative Analysis of Landscape Genre in Tamilla Abdullayeva’s Tapestries<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.047<\/a><\/strong><\/p>\n

 <\/p>\n

Ganjmaliyeva Konul<\/strong>
\nCharacteristics of Artistic and Decorative Metal Objects for Religious Purposes (In the Context of Islam)<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.051<\/a><\/strong><\/p>\n

 <\/p>\n

Rayiha Shaig Mammadli<\/strong>
\nKhojaly Tragedy and its Expression in Fine Art<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.056<\/a><\/strong><\/p>\n

 <\/p>\n

Leyla Azad k. Isayeva<\/strong>
\nPeople’s Artist of Azerbaijan Huseyn Akhverdiyev\u2019s Philosophy of Art<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.059<\/a><\/strong><\/p>\n

 <\/p>\n

Gulshen Gasimzadeh<\/strong>
\nOttoman Palace Carpets and the Role of Azerbaijani Artists and Craftsmen in its Development<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.060<\/a><\/strong><\/p>\n

 <\/p>\n

Sevinj Shakhhuseynova<\/strong>
\nHellenic Philosophers on Art<\/strong><\/p>\n

https:\/\/doi.org\/10.52094\/3005-9941.46.2024.072<\/a><\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Aykhan Shahbaz oghlu Gahramanov Consequences of Domestic Violence on Children https:\/\/doi.org\/10.52094\/3005-9941.46.2024.005   Fataliyeva Rufana Rizvan The Concept of Religious Pluralism in Modern Times https:\/\/doi.org\/10.52094\/3005-9941.46.2024.010   Mahsati Sabir gizi Jafarova Social-Philosophical Directions of The Important Role Of Gender In Modern Development https:\/\/doi.org\/10.52094\/3005-9941.46.2024.012   Asadova Minakhanim Culturalogical Views of Yusif Ziya Talibzade https:\/\/doi.org\/10.52094\/3005-9941.46.2024.015   Sona Mikailova The<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[58],"tags":[],"class_list":["post-2089","post","type-post","status-publish","format-standard","hentry","category-58"],"_links":{"self":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts\/2089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/comments?post=2089"}],"version-history":[{"count":66,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts\/2089\/revisions"}],"predecessor-version":[{"id":3262,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/posts\/2089\/revisions\/3262"}],"wp:attachment":[{"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/media?parent=2089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/categories?post=2089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/medeniyyetdunyasi.az\/en\/wp-json\/wp\/v2\/tags?post=2089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}